The two-hour special captures pivotal moments and personal revelations from those incarcerated and recently freed, their family members, and, in one case, the alleged victims. Of the six inmates portrayed in the first film, only four are still living (one died of lung cancer; the other was executed).

The intimate and candid words and images of the remaining four powerfully reflect the struggle and humanity that these convicted criminals face behind bars and on the streets.

So what is The Farm?

Sprawled over 18,000 acres, The Farm is on the site of a former slave plantation. Over the past decade, Warden Burl Cain has enacted many changes at this notorious prison, where more than one out of every two inmates is a murderer and where 95 percent of the population will live out the rest of their lives.

The Farm is now a vibrant, almost self-sustaining agricultural community raising millions of pounds of vegetables, hundreds of workhorses, and thousands of cattle — even though the grass-fed beef they raise is considered too much of a luxury for the prisoners, and is sold in the marketplace.

There's a lot of religion and morality:

Warden Cain has also infused a very strong religious component, with five new churches on the grounds and an accredited Bible college. He believes long hours of daily work and rigorous faith-based teachings can profoundly transform his inmates. Acts of violence have dropped 74 percent on Warden Cain’s watch. Find a way to remain hopeful and follow the rules, and the prison is a surprisingly peaceful place to spend one’s life.

And a lot of media:

For years, the prison has had a radio station (KLSP) and a magazine (The Angolite), and in 2006, the warden launched LSPTv, a prisoner-run closed-circuit television station. Sean Vaughn, an inmate at Angola since 1998, is now the technical director of the TV station. He wants this to be a full-fledged station that broadcasts to the outside to reflect the real people who live in Angola.

The new film features four violent offenders. So, what happens at the end?

Simmons’ tears after being forgiven by his alleged victims who accuse him of rape; Ashanti’s joy at his release after serving 27 years for armed robbery; Crawford’s shame when his mother sees him in shackles; and Tanniehill’s heartfelt religious rebirth in the midst of incarceration. The distinct portraits spark conflicting emotions and questions about the prisoners, the prison system and our own ability to cope with adversity.

More information is available here.